Pierre Lemaitre's novel "Mirror of Our Sorrows" adapted for the Paris Opera
Pierre Lemaitre's novel "Mirror of Our Sorrows" adapted for the Paris Opera

The Paris Opera unveils a particularly rich 2026-2027 season, marked by an unexpected creation: the operatic adaptation of Pierre Lemaitre's novel *Miroir de nos peines*. This work, which delves into the debacle of 1940, is one of seven new productions announced and reflects the institution's commitment to fostering a dialogue between contemporary literature and the operatic stage.

A historical epic transposed onto the stage

Published as a continuation of the trilogy begun with *Au revoir là-haut*, this novel follows the fate of Louise, a young woman caught in the chaos of the exodus in the spring of 1940. On stage, the role will be sung by soprano Vannina Santoni, with Mariame Clément directing and the music composed by the Spanish composer Héctor Parra. This adaptation, commissioned directly by the Paris Opera, illustrates its ambition to revitalize the repertoire by drawing on modern and accessible narratives.

In total, the season will feature 32 performances spread between the Palais Garnier and the Opéra Bastille, including 19 operas and 13 ballet programs. This new opera inspired by Lemaitre promises to be one of the highlights, alongside other remarkable offerings that blend heritage and contemporary creation.

Wagner, contemporary dance and grand farewells on the program

The program will also be dominated by a major event: a cycle dedicated to Richard Wagner's Ring Cycle, including Götterdämmerung in the autumn, followed by a festival bringing together all four parts of the tetralogy. Lectures and an exhibition will accompany this event, highlighting the importance placed on cultural outreach.

On the ballet side, the season will alternate between great classics and contemporary creations, with the arrival of new choreographers such as Cathy Marston and Johan Inger. It will also be marked by a significant event: the farewell performance of principal dancer Dorothée Gilbert, who will leave the stage in October 2026.

Finally, this season will precede a major phase of renovations at the Palais Garnier, whose stage will be closed from summer 2027 for two years. This represents a significant transition for the institution, which nevertheless continues to demonstrate strong momentum, with an occupancy rate close to 97% since 2025.

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